ANIME VOL 2
This library expands on the original Anime library by leaning heavily into combat sounds. Flesh out everything from Kung-Fu to Animation with kicks, punches, Impacts, Whooshes and more!
Waves Wind Water Volume 2
A follow up to the original Waves Wind Water Library featuring sounds from Iceland. This is a must have companion to the original library adding waterfalls, rocky coasts, heavy wind, and geothermal sounds to your ambisonic toolkit.
PSE GEN COLLECTION: VOLUME 4
Blackguard Sound contributed almost 300 files (about 1500 sounds) to the fourth iteration of PSE’s growing GEN Collection.
Anime
Create and destroy with the explosive energy of Anime – a go-to anime sound effects library for content creators of all kinds.
PSE GEN COLLECTION: VOLUME 3
Blackguard SMG contributed over 600 files (about 2500 sounds) to the third iteration of PSE’s Gen Collection.
PSE Gen COllection: VOlume 2
Blackguard SMG contributed about 500 files (or about 2400 sounds) to the second iteration of Pro Sound Effects Gen Collection.
Pacific Northwest
Create natural and detailed soundscapes with the urban, oceanic, and woodland sounds of Pacific Northwest. From the bustling traffic and construction on the streets of downtown Seattle, to the ferries and waves on the coasts and islands, inject these immersive ambiences into your stories.
Interference
Inject intensity with the explosive whooshes, staticky drones, and robotic blips of Interference – a complete electronic sound design toolkit. Add personality to your sci-fi, fantasy, and horror projects with unmatched gritty and dark sound effects of robotic radio static, scans, morphs, risers and more.
PSE Gen Collection: Volume 1
Blackguard SMG contributed about 900 files (or about 4000 sounds) to the first iteration of Pro Sound Effects Gen Collection.
Useful Interface
Packed with over 750 high-quality recordings, the Useful Interface sound library delivers a diverse collection of tastefully crafted user interface sound effects for your UI needs. Featuring menu actions, expressive gestures, beeps, whooshes, transitions loops and more, this library covers all the bases with subtlety and style. Boost the interactive user experience your game or app UI with practical, satisfying tones. Enhance your films with a unique synthetic edge for sci-fi projects and beyond.
Biophony
Featuring 38 pristine nature recordings from remote locations across the U.S., Biophony delivers a diverse collection of ambient environmental sounds. Delivered in 24-bit/96kHz FuMa Ambisonics format as well as stereo, this library contains amphibians, sea animals, insects and other wildlife interacting within distinct biomes. Use these sounds to enliven your nature scenes with a rich, authentic ecological backdrop.
WAves Wind water
This brand new collection of ambiences is a huge technological leap forward for us. Presented in Ambisonics, it’s ideal for use in VR or 360 video applications. The real beauty of this format, though, is the flexibility it provides the user to output such disparate formats as stereo, binaural, 5.1 surround, 7.1 surround and more. Furthermore, it’s possible to pick a listener perspective for any of these potential outputs.
When Plants Attack!
After working on a string of projects, we realized that almost every one of them needed the same thing: plant foley. After dragging messy plants, dirt, and bugs into the foley pit several times we hit on an idea - Let's just make one REALLY big mess and record every possible interaction with every plant we could find. The result was over two hundred discrete files (totaling over 3GB) and thousands of performances of high quality plant foley. Plus, a giant mess comprised of completely destroyed plant matter.
NXNW CASCADIA 2017
This library of environmental recordings is the culmination of three recording expeditions to the stunningly gorgeous Pacific Northwest. We visited a variety of locations ranging from urban Vancouver, Portland, and Seattle to the wild and untamed Olympic Peninsula. We captured dynamically disparate sounds such as a noisy Seattle shipyard and the quietest location in the continental US - deep within the primordial Hoh Rainforest. There are excellent crowd wallas, and contemplative mountain streams. From beaches to mountaintops to luxury high rises no environment was left un-recorded! This is what the Northwest sounds like!
Here’s our three part sound effects recording philosophy:
1) Technical execution should be flawless. High quality mics plugged into high quality pre-amps. We apply considerable care to details such as mic placement, environmental control, good signal to noise ratio, etc. Raw recordings are 32-bit to preserve maximum dynamic range for post processing. Hardware synths are superior to soft synths and there is no substitute for analog tape.
2) Sounds should be highly usable. It’s great to have a recording of a rare species of bird walking across a piano during a rainstorm, but will you ever use it? Our aim is to provide sound editors and designers with valuable “go to” sounds for their core libraries.
3) All recordings should be presented with high sample rates, and UCS compliant metadata tagging. We enter a minimum of 13 fields of metadata per file.
See the individual product pages for more details.